But we didn't just smear our papers with food, we actually started to look into perspective, get paintings to have depth and how to create our own set of colours. I will focus today on the "depth"-section since I need to revise the whole pigment, binder coating and dissolver - thing.
Here we go:
One of the most important aspects is to create different layers. If you'd look into my bedroom, layers would mean: The pile of dumped clothes lying directly infront of you is layer 1, behind them you would see a huge chair and a cupboard bursting with never played video games forming layer 2, behind that you would see a window being layer 3 and again behind that you would be able to see the outside world I avoid in favour of my healthy pale teint, forming the last layer.
So this picture has 4 layers:
(image: me)
Now you can play with the layers using different methods to gain more depth (and these are not the technical terms, but they are the easiest to remember):
1) Blurring backgrounds
Have a look at this picture:
(image: me)
Even though we only have two layers (plant and the green background) the photo still appears dimensional. Blurring backgrounds, or items that are far away will create depth. It doesn't always has to be intensly blurred as shown here. Even a slighty diffused hill in the back of a scenery can create depth.
Also things that are very near to the viewer can be blurred, creating the illusin that the object is so near, the eye of the viewer can't 'focus' it.
2) Blue Fog
If you stand on a hill and look in to the vastness of the wide plains of nowheresland and you will notice the horizont or even the hills to appear blueish or greyish blue.
This is 'blue fog' and can be created by adding white and blue tones to your background. Objects or landscapes missing this blue touches appear nearer. Adding blue to the last layers of your picture will create depth, especially in landscape paintings.
(image: me)
Layer 2 has a very subtle blue tone, layer 3 adds more with and blue to the green of the hills and layer 4 looks really blue, but has still slight hints of green in it.
Layers:
You can see here quite nicely how the effect works. Just check google for "Landscapes" and you will find thousands of examples. Try to identify the layers and try to repaint them adding the blue fog. Try also to see what happens if you ignore the blue fog and just paint the hills green.
(image: me)
3) Warm and Cold Colours
Painting objects nearer to a viewer in a warm colour, will let them appear to be nearer.
(image: me)
(image: me)
There's not much to say here :) It's very similar to the last point of this list (contrast and light)
4) One Point perspective or any kind of perspective (a "how to" will be posted, otherwise, check out this book: Vanishing Point: Perspective for Comics from Ground up (and don't let the title fool you, this book is well written and stripped from all the unnecessary complexity))
This is no big science: Lines pointing toward a certain point at the horizont will produce perspective.
If you look at early medieval art (very symbolic imagery, no perspective guidelines whatsoever) and compare them with paintings from the Renaissance (very realistic, tried to copy what they saw in real life,'discovered' perspective), you will notice the difference this can make.
Perspective? Take it home, old man, we don't need that here.
(taken image from talktalk)
Praise the one point perspective!
(taken image from wikipedia)
5) Light / Contrast differences between layers
Making objects or landscapes in the first layer either darker or lighter can also alter the depht of a painting. Just choose a light source (sun, light bulb, etc) or a object casting the shadow (door, tree, hill, etc) and try to boost the contrast and/or light/darkness between the different layers.
(image: me)
That's all for today!
Let me know if I missed out on something or if you have better ideas how to boost the depht in your paintings/drawings!
Have a nice day!
Yasmin







